{"id":2824,"date":"2017-09-19T08:37:13","date_gmt":"2017-09-19T06:37:13","guid":{"rendered":"https:\/\/pre.teatregoya.cat\/ex\/\/olivia-y-eugenio-2\/"},"modified":"2017-09-19T08:37:13","modified_gmt":"2017-09-19T06:37:13","slug":"olivia-y-eugenio-2","status":"publish","type":"ex","link":"https:\/\/www.teatregoya.cat\/ca\/ex\/olivia-y-eugenio-2\/","title":{"rendered":"Olivia y Eugenio"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","template":"","class_list":["post-2824","ex","type-ex","status-publish","hentry","season-2015-16"],"acf":{"txt_synopsis":"<p align=\"justify\"><strong>Mare i fill s'enfronten a una situaci\u00f3 extrema on es q\u00fcestionen els&nbsp;valors que sorgeixen en temps de crisi<\/strong>. La trag\u00e8dia s\u2019acosta, sense remei, a Olivia, qui rememora la seva vida tot passant comptes d\u2019una manera sincera amb el seu marit, la mare, les amistats, els metges i amb tots aquells que presumeixen de ser normals, com ara pol\u00edtics, professionals i esportistes d\u2019\u00e8xit. Sobre aquests, <strong>Olivia es planteja si s\u00f3n m\u00e9s normals que el seu fill Eugenio, un jove amb s\u00edndrome de Down<\/strong>. Finalment, <strong>qui \u00e9s normal en aquesta vida?<\/strong><br \/><br \/>\u00c9s una obra actual dins del marc de la corrupci\u00f3 pol\u00edtica, terrorisme, alcoholisme juvenil, inseguretat ciutadana, de la que se'n&nbsp;despr\u00e8n una altra pregunta, <strong>\u00bfqui \u00e9s realment feli\u00e7, una persona que sembla tenir \u00e8xit o un jove com l'Eugenio?<br \/><br \/>Durada<\/strong>: 1 hora i 30 minuts<br \/><br \/><\/p><br \/><br \/>\n<p align=\"center\"><a href=\"http:\/\/issuu.com\/grupfocus\/docs\/revista_latemporada_grupfocus_1516\/\"><strong>Cliqui aqu\u00ed per consultar la temporada 15\/16 del Grup Focus<\/strong><\/a>&nbsp;<\/p>","main_buy_link":"#","main_buy_links":"","group_buy_link":"","show_language":"","show_duration":"","show_start_date":"20151015000000","show_end_date":"20151115000000","show_sort_date":"20151015000000","txt_custom_show_dates":"del 15 d'octubre al 15 de novembre de 2015","show_disciplines":"","show_ultimes_funcions":false,"hide_tarifes_especials":false,"show_properament":false,"txt_additional_info":"","txt_present":"","show_season":[63],"txt_season":"[\"2015\/16\"]","txt_cycle":"","txt_claim":"","txt_cast_excerpt":"","txt_cast":"","txt_reviews":"<p align=\"justify\">\"La Velasco est\u00e1 transparente, c\u00e1lida y resoluta en el papel de mujer madura autosuficiente, volcada en su trabajo y en su hijo. (...) Rodrigo Raimondi, el joven int\u00e9rprete de Eugenio que me depar\u00f3 el azar, sorprende por el juego que da, lo bien que ejecuta sus pasos de danza y la precisi\u00f3n y expresividad con que coloca sus r\u00e9plicas. (...) La direcci\u00f3n de Jos\u00e9 Carlos Plaza es verista en los mon\u00f3logos de Concha Velasco y est\u00e1 muy atenta al movimiento en el caso de Raimondi. La luz y la escenograf\u00eda sint\u00e9tica con perfilado realista, ambas de Francisco Leal, as\u00ed como el elegante vestuario de Lorenzo Caprile, le dan empaque formal al espect\u00e1culo\". <strong>Javier Vallejo. El Pa\u00eds<\/strong><\/p>\n<p align=\"justify\">\"Jos\u00e9 Carlos Plaza, a la direcci\u00f3n art\u00edstica, en comuni\u00f3n con la palabra de Morote, no pod\u00eda haber encontrado mejor veh\u00edculo de comunicaci\u00f3n de este necesario mensaje, que a la diva Concha Velasco (ella hace notar el porqu\u00e9 de una mujer, que tras tantos a\u00f1os, sigue abriendo el tel\u00f3n una y otra vez y haciendo que el p\u00fablico se alce de su butaca dando su humilde y sincero aplauso)\". <strong>Dafne Arencibia. masteatro.com.<\/strong> <\/p>\n<p align=\"justify\">\"Concha Velasco regres\u00f3 a los escenarios con 'Olivia y Eugenio', de Herbert Morote, de nuevo dirigida por Plaza. Y, una vez m\u00e1s, deja sin palabras ver su trabajo ante el p\u00fablico: su entrega, su fuerza, su sabidur\u00eda esc\u00e9nica, su extraordinario poder de comunicaci\u00f3n con los espectadores, el alt\u00edsimo nivel de exigencia al que se somete ella misma,(...) todo un espect\u00e1culo. Hugo Aritmendiz (...) brilla que es un gusto verlo: sin caer en sentimentalismos innecesarios, sin aproximarse ni un \u00e1pice a la l\u00e1stima, muy profesional en su actuaci\u00f3n, divertido y tierno, cre\u00edble y atinado\". <strong>Antonio Arco. 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